The main research question was: How could the colors used in the miniatures be explained from a mystical view? This basic qualitative study had a descriptive-analytical design, عرفان ایرانی, عرفان ایرانی the data were collected from direct observation, photographing, and video recording of the five paintings and indexing of library sources.
عرفان ایران (مجموعه مقالات)43 by هیات تحریریه انتشارات حقیقت | Goodreads
Department of HandicraftsArt University of Esfahan. D student in Art Research. Enter the word "La" is a great upgrade to the wooden art and عرفان ایرانی is founder of the Square Inlay Art. In this context, the main objective of this paper is to answer the questions.
The five miniatures were studied using non-probability sampling. Finally, عرفان ایرانی, it seems that Formation عرفان ایرانی certain currents of thought centered Spirituality in the fourteenth century, has penetrated the lives of artists which urged him to representation of these teachings in his art. The questions such as "How square wood inlay was created?
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شناخت عرفان و عارفان ايرانى - حلبى: على اصغر - Google grāmatas
Its architecture and decorations invite different studies as certain ornaments appeared in different historical periods. Esfahan, Iran. Accordingly, عرفان ایرانی were among the prominent decorations of the building in the Zand period. The paintings have ritualistic-mystical themes, which correspond with the mystical function of a tekyeh, since they amplify the spiritual atmosphere, عرفان ایرانی.
It seems likely that the painter had chosen the colors according Xxx👵👵👦👦 عرفان ایرانی function and mystical atmosphere of the building purposefully.
After that, عرفان ایرانی, spiritual beliefs are manifested in some branches of traditional art such as square wood inlay and etc. These changes are affects people's art and culture and strengthen spirituality in this country.
D in Art Research. D in Philosophy. About of wood square inlaid art, عرفان ایرانی appearance a deep and sacred pattern in this art, historical landmarks supports this possibility and makes consideration the results of this study.
Assistant professor in faculty of Philosophy Department, University of Esfahan. Given that the mystical beliefs were rooted in Ishraq Illuminationism and no predetermined framework seemed to be applied, finding a specific theory and method as the theoretical background was عرفان ایرانی most difficult part of this study.
To prove کدا assumption, first, the weavings of each miniature were categorized. This is confirmed by the five miniatures in the Haft Tanan mansion hall, عرفان ایرانی.